Cover and Contents | |
1-4 |
Prosveta 1927 Community Center - one more contemporary gallery space in Varna | |
Jivko Donchev | 5-10 |
A hypothesis on the purpose of grave No. 36 from the Varna I necropolis | |
Svetlozar Popov | 11-22 |
The SILC Road local culture project: opportunities for destination Varna in the Black Sea coast region | |
Stoyan Marinov, Krasimira Yancheva, Todor Dyankov | 23-31 |
St. George the Slav slayer. Brief introduction to Slavic people and their inclusion in the states of Kubrat and Asparouch | |
Dimitar Chanev | 32-40 |
A story told by a graphic work | |
Trifon Trifonov | 41-46 |
Image symbolism of the mosaics from the Episcopal basilica in Odessos and the age of Theodosius I the Great | |
Marina Perseng | 47-51 |
The name of the city of Varna and its emergence in the place of Odessos | |
Veselin Trakiyski | 52-60 |
The Surt area in the Provadia plateau | |
Mariya Kardjieva | 61-64 |
The cultural revival of Varna – 1860 – 1960. A chronology of the events | |
Rumen Chardakliev | 65-82 |
First steps of symphonic music in Varna | |
Jaklin Bodurova, Masis Hadzholyan | 83-86 |
The Varna representatives in the Constituent Assembly in 1879 | |
Mariyana Nikolova | 87-92 |
The textile industry in Varna region (1878-1929) | |
Daniela Popova | 93-101 |
Trends in the development of the branches of the Bulgarian national creative unions in Varna in the 1970s and 1980s | |
Genoveva Mihova | 102-111 |
The cultural heritage of Varna and the Black Sea region. The so-called Varna | |
Nikolay Uvaliev | 112-117 |
60th anniversary of the Museum of National Revival in Varna | |
Kolyo Hubenov | 118-129 |
Evolution of trade centers in the Black Sea region | |
Boyko Doychinov | 130-133 |
Similarities and differences in the symbolism of the embroideries of indigenous people from South America and Bulgaria | |
Juan Esteban Yupanqui Villalobos | 134-141 |
On the development of higher shipbuilding education in Bulgaria | |
Gospodin Kirov | 142-150 |
Digitization of objects of cultural heritage of Varna, produced in the studio Architectural Spies in the period 2013-2019 | |
Nadya Stamatova | 151-160 |
The wonders of cape Kaliakra | |
Trayan Trayanov | 161-164 |